After seeing Vancouver’s own “Payolas” at the age of 15, singer songwriter, guitarist and sound designer Cory Hawthorne knew he wanted to become a musician. 2 weeks later he bought his first guitar, a no name Les Paul copy and it changed the rest of his life. He went on from there to get a degree in music from the University of British Columbia in 2000 and release his first solo album in 2012 under his name called The King of the Broken Hearts. In the midst of pursuing his dream to be a rock star, a guitar student Cory was teaching approached him about getting into sound design for video games, and for the last 18 years has become an expert at the craft. He has released many titles including Prototype; one of the best-selling games from Radical Entertainment along with Scarface and Simpsons Hit & Run, which went on to sell over 7 million copies . This last June, with a small team at Charm Games, Cory released his first virtual reality game titled “FORM”.
In January 2017, Six soon to be very tired people, started on what would become a new benchmark for VR games through a lot of blood, sweat, support from their families, and sacrifices.
“It’s immersive, engaging and beautiful, setting a new standard for virtual reality and visual design” 4/5 – Hardcore Gamer “FORM shows a command of the medium that few have grasped with such clear intention” 8.5/10 – Road to VR “Charm Games has created a mesmerizing experience from start to finish.” 4/5 – VRFocus
Cory had a very limited time of 6 months to compose all the music, create all the sound FX from scratch, and record all the voice over dialog for FORM but he used this hard constraint to ground him in the project. Collaboration with his team allowed him to make decisions quickly and focus on what was most appropriate for the game.
“Working on FORM was like a sound designer’s dream. I had unlimited options but there was one thing that I knew and that was if it sounded good, so I had to trust myself all the time throughout the process. We reached the end of the line and I had to write and record 3 tracks in 3 hours because we were releasing the game in 2 days. I tried to focus on the mood and nail it and not get caught up in what scale I should use. Is this a Lydian vibe? I didn’t have time for that stuff because I had to finish a track in that hour.”
At the start of the project, Creative Director Derek Young told Cory to “Be Weird” and “Do something no one would recognize”. For Cory, that meant that everything needed to be unique and made from scratch. He utilized the Rapture Pro synth for nearly all the FX design, sometimes starting with a simple sine wave and tweaking from there. The lesser known synth company, WOK VST Plug-in’s Ghost synth was utilized for several simple lead sounds in the musical compositions. To create the voices for the game, Cory recruited local talent for many of the roles but ended up being the voice of the lead character’s computer. What originally started as a test recording from an iPod 5 microphone had just the right nuance to be the real voice so all the rest of the computer dialog was recorded on the same iPod 5 and used in the final game.
How can others get into game sound design?
“It’s a weird thing. You have to be tough and be ready to move with all the changes. Get ready for a lot of late nights. You need to go into it knowing that the industry is changing all the time and for most, the days of having your own studio is gone. It’s all contract work or not a full-time job for most people. I’m very grateful to be where I am at Charm. A great way to start though is to make your own original FX library using synthesis and your own recordings, as well as to find the students in your area who are making games or going to school for it and connect with them. Work with them for what they can afford, or even for free or on spec if they have no budget and you like the project, until you can get off the ground.”
If you could give one piece of advice to other SONAR users, what would it be?
These days you can get a mic, an audio interface, a copy of SONAR, and a laptop for almost nothing so there is no excuse to not make music but you should start now using what you have and don’t try to sound like anybody else. As Stravinsky said “The more constraint one imposes, the more one frees one’s self. And the arbitrariness of the constraint serves only to obtain precision of execution”.
Cory Hawthorne
You can hear Cory’s music on Spotify, SoundCloud, and also at his webpage www.coryhawthorne.com
Follow him on Twitter: @CoryHawthorne
Charm Games
For more information, visit the Charm Games website at: www.charmgames.com
Subscribe to their YouTube channel: youtube.com/c/charmgames
Follow them on Twitter: @CharmGames
Like them on Facebook: Facebook.com/CharmGames
Play FORM Today
Oculus Rift Store: www.oculus.com/experiences/rift/1491102584268860/
Get it on Steam: store.steampowered.com/app/408520/FORM/
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There are a lot of changes with the new TH3 Cakewalk including the new and upgraded User Interface which I will get into, but I bet a lot of folks like me really base their judgments on how things sound. The good news is that once you are up and running with the plug-in you will notice a nice improvement on the sound quality from TH2 Producer/Cakewalk. 5 new amp models with more accurate model reproduction are included in TH3 Cakewalk, and all have improved DSP along with enhanced preamp and power amp stages. To my ear, I notice a more “open and natural” sound in general, but also notice a more responsive relationship between the pick and the strings in terms of “feel”—like when you play a guitar through an amp that just had the tubes replaced. I also notice more presence overall, but the right type of presence without harshness. The low-mids and mids are thick and punchy and I especially love the new Slo88 and Tweed Deluxe amps which have a lot of character. The Bassface is a beast as well; this amp is a secret weapon for many rock producers who use it to double rhythm guitar parts recorded with other amps. Blending these two sources together produces a tone that is about as thick as it gets.
