SONAR X1 for the win! Interview with the MixFest Competition Winner

Alex Niedt (pronounced “neet”) is a Kansas City recording artist, producer, and mix engineer whose releases include the Don’t Forget To Tip Your Bartender and Song To The Siren EPs and the Lex Luger-produced single “Hold Me Down”.  In early 2012, Niedt won the MixFest Competition, hosted and judged by Grammy-winning mix engineer Dave Pensado, and appeared on the 52nd episode of Pensado’s Place.

Pedal to the Metal – winning mix by Alex Niedt

Continue reading “SONAR X1 for the win! Interview with the MixFest Competition Winner”

How Jon Lee Uses SONAR X1 Expanded to Create Music for Some of America's Favorite TV Shows

Some artists spend more time trying to catapult their image into the status spotlight than they do actually creating music.  Some artists lay low under the radar diligently doing their thing.  In this day and age, there really is no right or wrong way to be an artist in the music industry, you just have to do what you do best and run with it.  If the content is great, it will find its way.

A great artist example of this notion in my book is SONAR X1 Expanded user Jon Lee.  Working and residing in Santa Monica, Jon Lee lays low under the radar while creating music and sound-scapes for some of today’s most popular “verite” style TV reality shows.  If you have seen the show Cops, than you are probably familiar with one of the most prominent production companies in the biz, “Langley Productions.”

Continue reading “How Jon Lee Uses SONAR X1 Expanded to Create Music for Some of America's Favorite TV Shows”

Recording guitars- A survival guide pt2: Microphones, your DAW's ears

In part two of the series let’s take a look at another crucial element for recording guitars, the microphone.

Just as a speaker plays a large role in the sound of an amp, the microphones used to record it are just as important to getting that tone into a recording. And just like speakers, all microphones have a different sound. Huge differences in sound can be heard even in mics that sell for the same price so experimentation is key when looking for a mic (or mics) to capture your golden tone. Continue reading “Recording guitars- A survival guide pt2: Microphones, your DAW's ears”

How Chris Standring Used SONAR X1 to Hit Two #1 Chart Positions

The success of SONAR X1 user Chris Standring’s groundbreaking 2010 CD Blue Bolero, which topped several year-end lists and produced a No. 1 single, made it tough for him to create a follow-up record; but all early indicators are showing that he managed quite nicely with the new Electric Wonderland recording which came out yesterday.

As of this morning, Chris woke up to find out that Electric Wonderland has hit #1 in its genre on the Amazon.com sales chart, as well as #1 on the BDS Radio Tracking Chart (Billboard) for the same genre.  I would say that’s a setup for a pretty great day, especially considering the “sales” climate of the music industry in general.  Electric Wonderland is a 10-song CD of original songs that fuses elements of the last record Blue Bolero’s orchestral touches with a deft jazz-pop touch that’s been a hallmark of Standring’s stellar career.

One of the changes Chris made on Electric Wonderland besides going from SONAR 8.5 to X1 was mixing the record on his own.  Continue reading “How Chris Standring Used SONAR X1 to Hit Two #1 Chart Positions”

Recording guitars- A survival guide pt1: Taste testing speakers

Getting awesome guitar tones recorded in any setting is not as hard as you might think. After recording a huge number of different guitarists including myself over the last 20 years, I have found that great results can be achieved in almost any space.

While there are no rules when setting out to record the golden tone, these are some things that my years have taught me and in coming installments of this series I’ll be sharing more aspects of getting the tones you’re looking for in the home setting and in general. Continue reading “Recording guitars- A survival guide pt1: Taste testing speakers”

Musikmesse Preview And New ProChannel Module

If you thought NAMM was something, wait until next week when Musikmesse 2012 opens itself to the world in Frankfurt, Germany from March 21st – 24th. The planet’s largest Music Industry trade show is looming just over the horizon and we’ll be there to show off our latest wares, gadgets, and goodies, including a new brand new, yet to be released ProChannel module.

We’ll formally announce the new module at the show. In the meantime, check out the picture below to spot the module in action. But don’t tell anyone I gave you the drop, OK?

Hidden in this sea of ProChannels is the new module we’ll announce at Musikmesse 2012

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QuadCurve EQ Demystified

If you’re a SONAR X1 user then you’ve probably already seen that the free SONAR X1d update has been released for all versions of SONAR X1. And if you’re a SONAR X1 Producer Expanded user, then you’ve probably already noticed that you’ve got a shiny, new EQ in the ProChannel called the QuadCurve EQ.

However, you might be wondering what exactly the deal is with the new EQ and and what the differences are in the four modes.

                Hybrid                           Pure                            E-Type                        G-Type

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How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 3: Wall Panels

[Click on any picture for higher resolution] For the last couple of weeks I have been writing about how I’ve been building custom acoustic treatment panels for my new project studio which is running SONAR X1 Producer Expanded.  I started with the sound cloud over the mix position and then showed how I basically cut out all the corners of my room (a square room unfortunately for me) by building corner traps.  This week I’ll dive into probably the most important component; the wall panels.

The wall panels are really important for me for a few reasons.  (1.) They absorb the first sound reflection from the speakers so that the frequency waves are tamed down, and (2.) They absorb the sound in the room in general to control echo and reverberation.  I do a bit of professional moonlighting work on the side including songwriting/production for ESPN Sports Center as well as other commercial stuff, so it’s important for me to have a controlled environment to listen to my mixes and productions on SONAR so that what I deliver is the real-deal.  As I stated before, it’s pretty much impossible to create a perfect listening environment unless you are building a room from scratch (floating room, sound proofing inside the walls, etc…,) but it is possible to greatly improve your surroundings.  In my own opinion, I think the way to look at it is to figure out what it is you are trying to accomplish before you purchase or build anything.  I think some of the important questions to ask are:

*How much can I afford to put into the project?

*Is it important for the place to look professional?

*Will a vibed-out room make you or whoever is using the room feel more creative?

*What are the basic sonic trouble elements to the room?

*Will the room be used for mixing or recording?

*What genre of music will the room be used for (i.e.> Hip-hop with a lot of low end, Jazz, etc…) Continue reading “How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 3: Wall Panels”