Ever wondered how to use sidechaining in SONAR X1? Look no further as this step by step, how to video shows you how to achieve professional results with sidechaining using the ProChannel in SONAR X1 Producer.
Examples include sidechaining a midi track to control a gate on an audio track, broadcaster style vocal “ducking”, or sidechaining the voice track to control the volume of the background music track, and more!
Learn more about the world of SONAR X1 and watch more tips and tricks videos in full HD on CakeTV
Congratulations to Paul Oakenfold and TC Spitfire who found themselves at #3 on the Billboard Dance Club Songs this past week with the track Surrender.
The track was written by Paul, TC and J Hart who also sang the track. TC Spitfire who is a passionate SONAR X1 Expanded user co-produced and mixed the track using a combination of all the ProChannel modules. “This new era with the ProChannel and X1d [Expanded] is on a serious elevated level. The combination of the modules has me staying more and more inside SONAR natively,” TC told us.
On a daily basis, TC is very busy individual. Between writing new music, producing, mixing and remixing, he finds himself a bit overextended these days and “taking it and enjoying it while it’s there.” Most recently, he has worked with artists such as Cher, Matt Goss, Matt Morris and Jean Baptist – and that is just in the recent past. “On a daily basis I will jump from remixing a track for 4 hours, to writing in another studio for 4 hours, and then back to our lab for another however-long-it-takes-session – for the next barrage of musical craziness.”
For the track Surrender which is currently charting on the Billboard Dance Club Chart, TC collaborated with both Paul Oakenfold and J Hart on the writing side and then built and mixed the song completely in SONAR X1 Expanded.
* * * * * * * * * *
CW AR: This vocal sound is huge in this track. What was some of the processing involved?
TC: On the vocal track I used the new Hybrid mode in the ProChannels QuadCurve EQ. I cut quite a bit of the low end off and had quite a bit of mids popping for this track around 1.8k. I was able to surgically cut out some other frequencies in the mids to get the vocals away from other keyboard parts in that range.
On top of that, I used the PC4K channel compressor along with a slight touch of the Softube Saturation Knob with the switch on the “high” setting. I also sent multiple lead vocal tracks out to a lead vocal bus which had the PCCL Limiter on it for a slight boost and some tightening.
CW AR: This track and all your tracks for that matter are really tight, what are the main factors for you in achieving this sound?
TC: It’s pretty simple, but it’s also pretty complicated. It’s simple, because most of it has to do with compression, EQ and limiting, which are 75% from the ProChannel in my tracks. It’s complicated because carving the frequencies, making the decisions on where to compress and how much, and what to use a limiter on – all factor in. Sometimes, over compressing and using too many limiters will just make a song sound flat-lined and not breathing. I think another factor is not using too many of the same compressors or EQ’s on every single track. I really like mixing up my inserts. On some tracks I will use the 76 and others I will use the Softube compressor. I even use the PC4K bus compressor on tracks – call me crazy – haaa. There are no rules in the digital world and use my ear and the tools SONAR X1 Expanded provides to get the sound to where I need it to be.
In the next year you will be hearing a lot more from Paul Oakenfold and TC as a new deal was just signed with Sony Records. As soon as the details are released on that we will keep you posted. Until then, you can check out SONAR X1 for free here.
SONAR X1 is the most intuitive D.A.W. on the market today. It’s easy to get up and running, and it’s just as easy with practice and experience to become an advanced user. If you are running windows, and you are a musician, now is a great time to pull the trigger with the SONAR X1 Advanced Workshop Giveaway Promotion.
“SURRENDER” [Completely recorded, mixed and mastered in SONAR X1 Expanded:]
There are lots of ways to make music – from precise, deliberate composition to live performance and freeform improvisation. You might want traditional, linear multi-tracking or you might want to just experiment and jam. The good news is you don’t have to choose. Merging the realtime, experimental approach of loop and phrase based composition with traditional, linear multi-track style production, SONAR X1 is specifically designed to offer the best of both worlds. Continue reading “SONAR X1 Video – Linear & Non-linear Music Production”
Guitar Products Reviewer for DV247.com, Rob Sandall, was one of the first to lay eyes on the V-Studio 20 at Musikmesse 2010. At first, he thought it was just a foot pedal but quickly realized that the V-Studio 20 is so much more than what he expected.
Combining an audio interface and control surface with built-in stereo microphone, the V-Studio 20 is not just a means to control your guitar-playing but an all-in-one recording solution whether on the road or in a studio setting. With the V-Studio 20, guitar players and singer-songwriters can easily record their riffs to a computer via XLR or Hi-Z input, add EQ and other effects to their tracks in real time, and take advantage of its “gigantic suite of sounds” with genuine BOSS COSM DSP processing.
As Rob exclaims, “this compact unit feels like a real missing link between guitarist and producer.”
Discover the V-Studio 20 through a series of mini-reviews on the DV247.com blog.
In keeping with tradition, says Create Digital Music’s Peter Kirn, SONAR looks like the average Windows software with lots of buttons, knobs and menus. However, with its latest version, SONAR employs a vast array of features that allow the user (whether expert or beginner) to customize the way they create music on the computer – making it easier for them to record and produce music on their own terms.
Calling SONAR, the DAW of More, Kirn takes a microscopic look at these new features, instruments, support and usability enhancements added to the program with the SONAR 8.5.2 update.
Impressed with SONAR 8.5’s wealth of new tools and workflow enhancements, Music Radar gives the ‘half update’ 5 out 5 stars! Among the reviewer’s favorite additions were SONAR’s Matrix view, Arpeggiator and effects processors (VX-64 vocal strip and PX-64 percussion strip).
“Percussion and Vocal Strips rock! Step Sequencer is much more useful. Arpeggiator presets are a goldmine. Matrix View encourages spontaneity. Solid performance. The most comprehensive Windows DAW.”
In all, says Music Radar, SONAR 8.5 may be labeled a ‘half’ upgrade but it is well worth the price!
Yes, it’s true. Cakewalk is now offering our classic synths and effects processors for FREE Topping the list of the ’90s classics is the SFZ+ and Square I synths. The Cakewalk Audio FX series of effects plug-ins are also now available for no charge via the Cakewalk online store.
SFZ+ is rgc:audio’s revolutionary SoundFont player sample-playback engine, packed in a professional VST/DXi instrument. Outstanding sound quality, stereo built-in effects, adjustable CPU/quality settings to adjust it to your hardware, fully multitimbral operation, multiple stereo outputs, several loading modes including direct-from-disk streaming and a beautiful interface make sfz+ the perfect choice for SoundFont users and professional composers.
Square Ioffers the warmness and classic sound of the vintage analog synthesizers, combined with the fidelity and precision of a VST instrument. A simple synthesizer, oriented to the serious music enthusiast. High quality sound with a warm and easy layout, perfect to learn synth programming: all controls in one panel for instant access, clear and distinctive sections. The built-in effects add depth to the sound and convenience to the sound programming.
Cakewalk Audio FX 1 is a series of real-time audio processing plug-ins. All Cakewalk Audio FX plug-ins are Microsoft DirectX- compatible, allowing you to use them with any digital audio software that supports DirectX – including Cakewalk SONAR and other Cakewalk applications.
Looking for a way to warmup your digital audio – but can’t afford to spend thousands of dollars on vintage analog or tube gear? Now you can with Cakewalk Audio FX 2. Created by precise measurement and analysis, Audio FX 2uses advanced processing algorithms to apply the classic sound and warmth of several different vintage guitar amplifiers and analog tape decks to your digital audio.
Now you can make audio tracks sound like they were recorded in almost any room you can imagine. Cakewalk Audio FX 3 SoundStage allows you to design acoustic environments in which to play back digital audio, resulting in unique, realistic reverb. Audio FX 3 Features Two Views: Performer’s View and Room View. To create the perfect room, just click and drag your mouse to move walls and change ceiling height. Choose from different microphones, and place them inside the room. Then assign each audio track to different “performer” positions to hear custom reverb on each track. When you’re finished, save your soundstage for other sessions, or use as a template for other designs. Audio FX 3 includes ready-to-use soundstages too.
Visit the Cakewalk Online Store for more hot deals this holiday season!
Congratulations to Paul Oakenfold and TC Spitfire who found themselves at #3 on the Billboard Dance Club Songs this past week with the track Surrender.
