On a recent trip to Los Angeles, I had the privilege of spending some time with an X1 pro user who really exemplifies the modern day musician on all fronts. His name is TC (born Anthony Crawford) and he is also known by some in the producing underground as “Spitfire”. “TC,” as we will refer to him today, is employed by Paul Oakenfold as his main music producer, co-writer, mixing engineer, multi-instrumentalist and vocalist. Working in that capacity, on a daily basis TC will mesh with artists such as B.O.B., Usher, Madonna, Lloyd and Rico Love just to name a recent few. Continue reading “TC, and Paul Oakenfold’s Team on SONAR X1”
Cakewalk’s Robin Kelly has put together a series of tech tips for SONAR users in a section we are calling Robin’s Riffs. Each week, we will include a new tip.
This week, Robin Kelly shows you how to achieve a layered synth sound in SONAR. In this example, Robin shows you how to create a simple layer using two instances of Dimension LE. You can use any instrument to recreate this layered sound. This technique will work with SONAR 8 and SONAR Home Studio 7.
Every day that I work on a SONAR video is a good day. However, while it’s a lot of fun to create demonstration videos about a product that I’m deeply passionate about, it’s also a ton of work.
A perfect example of this is the Drum Production Master Class video that I recently created. In case you haven’t seen it it’s a five-part series of videos that goes over writing, arranging, and mixing drums in SONAR.
Despite being roughly forty-five minutes in length and covering a wealth of topics, the Master Class was originally supposed to be a simple Step Sequencer video. Being that the Step Sequencer involves so many other features in SONAR, things quickly ballooned and the video grew to unexpected proportions.
Screen capturing, editing, and doing voice over for that amount of material was a monumental task, though I didn’t realize it would be as such when I started. Thankfully the video turned out well and has received a warm reception from viewers.
Really, though, this is just the tip of the iceberg. We’ve created three categories of SONAR-based videos that we plan to enhance our library with.
* SONAR: Get Started – an introductory, basic overview of a feature, group of features, or plugin
* SONAR: Go Deeper – an in-depth, hands-on demonstration of a specific feature or plugin
* SONAR: Master Class – a comprehensive tutorial of a group of related features within a larger workflow
For example, for those who want to learn about the very basics of the PX-64 Percussion Strip plugin but don’t want to sit through an entire Master Class, I’ve created a Get Started: PX-64 Percussion Strip video.
And there’s so much more to come.
Next week we’ll release Go Deeper videos on PX-64 Percussion Strip and Drum Replacement with AudioSnap 2.0, and we have a laundry list of topics to cover in the coming weeks and months. If I’ve learned anything from making the Master Class video it’s that there’s plenty of fun, and hard work, ahead.
Stay tuned.
Seth Perlstein is a Product Specialist for Cakewalk, Inc. He is also a bi-pedal humanoid residing on Planet Earth, a small, blue planet in the far reaches of the Milky Way Galaxy.
SONAR 8.5 includes world-class tools, instruments, and effects that will allow you to achieve amazing drum tracks. We have put together a SONAR: Master Class video series that shows off these amazing features. This Master Class explores writing, arranging and mixing drums in SONAR. Spotlighted are production techniques and workflow using Session Drummer 3, Step Sequencer 2.0, and PX-64 Percussion Strip.
MIDI files function like sheet music. Sheet music contains all the information an instrumentalist needs to make music. If the instrumentalist does not play what’s written on the sheet music, you hear nothing. Like sheet music, MIDI does not transmit audio signals (digital or analog). Meaning, if you were to plug your MIDI cable into a loudspeaker or audio device, you wouldn’t hear anything.
Therefore, you need to convert a MIDI file into an audio file in order to hear what it really sounds like. There are several ways you can playback MIDI in Cakewalk and several ways you can convert or record MIDI to audio. Follow the link to Cakewalk’s support pages for more information.
Recording your music on the computer is an adventure. There are thousands of different tools you can choose from, all with their own perks and obstacles. Recording your vocals, guitar, keys and drums is a process that takes time to learn in order to do it well.
Before you attempt to record, make sure you have all the equipment you need to connect your instrument of choice to the computer’s soundcard (such as cables, preamps, interfaces, speakers) as well as enable both for recording and playback. In this tutorial, learn how to use Cakewalk’s software to setup a track for recording and playback. Remember, pressing F1 while inside of the program will open the help guide.
Everything you ever wanted to know about SONAR is now encased in a 132-page full-color guidebook! From cover to cover, this exclusive magazine is the most comprehensive guide to SONAR in print (besides SONAR 8! Power) – a must have whether you’re a SONAR user, or thinking of becoming one!
Packed with 100% SONAR content, this magazine features exclusive interviews with A-list SONAR users – from Shawn Clement to the world famous Sun Studio in Memphis, Tennessee – highlighting how they using SONAR 8.5 everyday for work. From tracking to mastering, this magazine is teeming with tips and tricks on SONAR’s expansive set of features including 17 SONAR workshops on Beatscape, Step Sequencer 2.0, Session Drummer 3, Z3TA+, Media Browser, Using ACT with your favorite controllers, Film Scoring, Recording Vocals and more! There’s also a FREE DVD packed full of video tutorials, loops, demos and tutorials.
Managing input from multiple MIDI devices, such as keyboard controllers and drum pads, through your DAW can be frustrating. Staying on top of all the cabling, routing and software settings is enough to make you throw in the towel and go back to point and click.
However, with SONAR, you can choose individual MIDI input ports and channels for each of your MIDI tracks. This means that you can use several different MIDI controllers simultaneously, each triggering its own synth or controller parameters. You can also choose to trigger several different synths, each on its own track, with just one MIDI controller.
At last year’s AES Conference, Cakewalk’s Robin Kelly gave a presentation on using SONAR 8 for creating a soundtrack to a video. Watch Robin’s tutorial to learn how to use SONAR’s included instruments – Dimension Pro, Session Drummer 2 and Z3TA+ – to create great sounding music tracks for your home movies. Robin also shows you how to export your final project so that you can share it with friends or publish it to your favorite video-sharing site.
Editing your tracks can be the most tedious and time consuming part of the whole music-making process. In almost every project, you’re going to need to do things like line up your Acapella track, line up your Loops and Groove Clips, syncopate your Drum clip, extend the intro or outro, add a break, etc.
DJ Serg, one of today’s hottest remix artists, makes editing much easier by giving you this in-depth look at the Snap Options in SONAR. Now, you can spend less time changing the settings and more time expressing your creativity.
On a recent trip to Los Angeles, I had the privilege of spending some time with an X1 pro user who really exemplifies the modern day musician on all fronts. His name is TC (born Anthony Crawford) and he is also known by some in the producing underground as “Spitfire”. “TC,” as we will refer to him today, is employed by Paul Oakenfold as his main music producer, co-writer, mixing engineer, multi-instrumentalist and vocalist. Working in that capacity, on a daily basis TC will mesh with artists such as B.O.B., Usher, Madonna, Lloyd and Rico Love just to name a recent few. Continue reading “TC, and Paul Oakenfold’s Team on SONAR X1”
Editing your tracks can be the most tedious and time consuming part of the whole music-making process. In almost every project, you’re going to need to do things like line up your Acapella track, line up your Loops and Groove Clips, syncopate your Drum clip, extend the intro or outro, add a break, etc.