Posted on

How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 3: Wall Panels

[Click on any picture for higher resolution] For the last couple of weeks I have been writing about how I’ve been building custom acoustic treatment panels for my new project studio which is running SONAR X1 Producer Expanded.  I started with the sound cloud over the mix position and then showed how I basically cut out all the corners of my room (a square room unfortunately for me) by building corner traps.  This week I’ll dive into probably the most important component; the wall panels.

The wall panels are really important for me for a few reasons.  (1.) They absorb the first sound reflection from the speakers so that the frequency waves are tamed down, and (2.) They absorb the sound in the room in general to control echo and reverberation.  I do a bit of professional moonlighting work on the side including songwriting/production for ESPN Sports Center as well as other commercial stuff, so it’s important for me to have a controlled environment to listen to my mixes and productions on SONAR so that what I deliver is the real-deal.  As I stated before, it’s pretty much impossible to create a perfect listening environment unless you are building a room from scratch (floating room, sound proofing inside the walls, etc…,) but it is possible to greatly improve your surroundings.  In my own opinion, I think the way to look at it is to figure out what it is you are trying to accomplish before you purchase or build anything.  I think some of the important questions to ask are:

*How much can I afford to put into the project?

*Is it important for the place to look professional?

*Will a vibed-out room make you or whoever is using the room feel more creative?

*What are the basic sonic trouble elements to the room?

*Will the room be used for mixing or recording?

*What genre of music will the room be used for (i.e.> Hip-hop with a lot of low end, Jazz, etc…) Continue reading “How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 3: Wall Panels”

Posted on

Softube's Mix Bundle for SONAR X1 Producer Expanded's Pro Channel delivers the goods at NAMM

Softube’s new Mix Bundle for the Pro Channel in SONAR X1 Producer Expanded includes five awesome sounding modules that will make your mixes come alive!

In addition to three distinctly different EQs (Passive, Active and Softube’s own creation the Focusing EQ), the Mix Bundle has the TSAR-1R reverb and a great FET Compressor. I used these two modules for my demos at this year’s NAMM Show and I wanted to share my experience with them this week. Continue reading “Softube's Mix Bundle for SONAR X1 Producer Expanded's Pro Channel delivers the goods at NAMM”

Posted on

CakeTV Live SONAR X1 webinar February 23rd – Free to the public

CakeTV Live

Join Seth Perlstein for a live webinar on February 23rd, 2PM PST
Sit back, relax, and watch our NAMM demos in the comfort of your own home. In part one of this two-part series, Cakewalk’s Seth Perlstein shares his favorite SONAR X1 music production tips, tricks, and techniques like using the Mod Matrix in FX Chains 2.0, Groove Matching with AudioSnap, creating variations with the Loop Construction View, and much, much more.

Plus, get a sneak peak of the upcoming X1d patch as the entire demo will be done in X1d.

Watch video of the entire SONAR X1 webcast.

Upgrade to SONAR X1 or Download the SONAR X1 Free Trial to follow along.

 

[UPDATE:]  Please join us for the second installment of CakeTV Live on April 26th at 2:00pm PST. Cakewalk’s Brandon Ryan and Seth Perlstein will be on hand to answer questions and show tips, tricks  and production techniques using the award winning SONAR X1. In addition to latest news, we’ll delve deep into SONAR X1 using a live musical production demonstration as the centerpiece. Brandon will take the driver-seat on this one showing the capabilities and production techniques involved in creating a short, instrumental, musical cue.

URL: http://www.rolandus.com/go/cake_tv/

Posted on

NAMM 2012 Videos and CakeTV Live Webinar

Recently we released our NAMM videos to CakeTV. The six videos contain over an hour of footage of SONAR X1 demonstrations narrated by a combination of Cakewalk staff and Cakewalk artists. And there’s certainly a lot of interesting and useful information to be seen (and heard).

However, due to circumstances beyond our control, the video’s audio quality didn’t turn out quite as expected. With our booth in the Roland arena, and with so many adjacent demo booths within direct earshot, said audio contains not only what’s in the demo being filmed but also a lot of what’s going on around it.

Seth Perlstein at the tail end of one of his SONAR X1 demo at NAMM 2012

Continue reading “NAMM 2012 Videos and CakeTV Live Webinar”

Posted on

How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 1: Sound Cloud

(Part 1: Sound Clouds)

Just as important as having a killer DAW such as SONAR X1 Production Suite 64bit running on a good machine, one needs to take a good hard look at their recording and mixing environment.  If you are starting to get to the point where the word “professional” (as in making some money) comes into play, you should probably start to think about your sonic room environment as well as your environment’s presentation.

The beauty of the music industry today is that you CAN make extra money as a part time job utilizing tools such as SONAR, but there comes a point in time where you need to step it up if you have what it takes to succeed on certain levels.  In my personal situation, as a writer/mixer/producer I take on some decent paying side jobs once in a while when time permits such as recent tracks that I sold to ESPN Sports center, but I can tell you that if I didn’t have SONAR X1 Producer Expanded and a decent mixing environment, there’s no way I would have been able to deliver those tracks.

In the upcoming weeks I am going to be talking about, as well as be demonstrating how I recently treated my new music studio room with great looking acoustic treatment panels.  I built all the custom panels myself so it cost me a fraction of what it would have been to order these panels online; and in my opinion they look better because I elected to design them with exposed natural wood where the cheap ones online are just basically fabric-wrapped.

The three types of panels I built which will be discussed on this blog were wall traps, corner traps and sound clouds.  Today I will go into detail on how I built the sound cloud that goes over my mix position. Continue reading “How Building Cost Effective Acoustic Treatment for the Music Studio Will Help Your Music Production; Part 1: Sound Cloud”

Posted on

NAMM 2012 Backstage Pass: SONAR X1 Music Production Live Demo

Live from NAMM 2012 at the Cakewalk booth in the Roland arena, Cakewalk’s Mike Trujillo demonstrates creative music production and recording techniques with SONAR X1 Production Suite.

Mike’s demo features SONAR X1 Producer Expanded’s Browser, Track Templates, Matrix View, FX Chains 2.0, ProChannel, Session Drummer 3, and more. Plus he lays down tracks with Rapture and Z3TA+ 2, records guitar, and captures a Matrix View performance in this dynamic, unique, up-beat demonstration that’s packed with information for the initiated and uninitiated alike.

Upgrade to SONAR X1 or or find a dealer to become a new user today.

 

 

Posted on

NAMM 2012 Backstage Pass: Scoring Music for Film in SONAR X1

Live from the Cakewalk booth in the Roland arena, learn why SONAR X1 rocks for film scoring as Shawn Clement (Quantum Quest) shares his favorite SONAR X1 tips, tricks, and features.

In the video Shawn talks about his process of writing and delivering music for film and TV and how SONAR features like Track Folders, Track Templates, and FX Chains 2.0 help his creative process.

Upgrade to SONAR X1 or find a dealer to become a new user today.

 

Posted on

Why you need a subwoofer. Or, "What's goin' on down there?"

So your newest masterpiece is ready to be mixed in SONAR’s pristine 64bit audio engine for the rest of the world to hear, but are you really hearing the full range of your mix? If your monitoring system does not include a subwoofer, then you most likely are not.

While an ear can be trained to work with almost anything over time, a good monitoring system is crucial for making more accurate judgments in mixing. In my early days as a fledgling engineer, the studio I worked out of had a nice set of monitors but no sub. So what does that mean? Endless time wasted making (at that time) cassettes to run out to the car with so you could find out that the low end was either too high or too low or not hitting the right frequencies. Back to the board, hope your guess at the eq adjustment was right and then back to the car again. Better fire up the coffee machine, this could take all night. Continue reading “Why you need a subwoofer. Or, "What's goin' on down there?"”