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Shawn Clement nominated for "Best Score" at eWorld Music Awards; How He Used SONAR X1

Congratulations to Shawn Clement whose score for Quantum Quest: A Cassini Space Odyssey has been nominated for “Best Score” at the 2012 eWorld Music Awards held at Paramount Picture Studios. The score was written and produced in SONAR X1 and then recorded with the San Francisco Philharmonic Orchestra at George Lucas’ legendary Skywalker Ranch.

The 2012 eWorld Music Awards is a revolutionary music awards show that celebrates cutting edge artists on the world’s biggest platform – the Internet. The awards were created to promote and support the amazing work, technology and diversity in today’s vibrant independent music world.  It’s the only event of its kind celebrating truly independent music.  The eWorld Music Awards honor those groundbreaking forces who’ve been influencing this movement, and iconic individuals for their unique contributions to the art of music.  This year’s 2012 eWorld Music Awards will be the 4th annual awards show, and will air live from Paramount Studios in Hollywood on Saturday, June 16th 2012.  Live music performances and celebrity appearances will highlight this star-studded Red Carpet event.

CW AR:  How did you get yourself in the space to create music for this show and what was the technical process for pulling it all together?

SC: With any project, you first have to understand the film.  Meaning, really know the story, characters and what role the score is going to play. Every production has its specific needs. Say for instance when I created the Wounded Warrior’s Hymn, this was a live performance, so what I needed to do was realize a “mock-up” version of the music so that others could hear where I was going with it.  For example, I would send my “demo” off to Jon Anderson so that he could put together what he was singing on it.  Keep in mind that the “demo” needed to sound as much like the real thing as possible so that anyone involved could really believe in it.  Beyond that, all the tracks in SONAR would then get broken down and sent out to my orchestrator so that it could finally be realized in written music form for the orchestra to play. We had 106 players with a 247 piece choir, and Jon Anderson singing on 2 of the movements. 

From TV to Film to Video Games, Clement has used SONAR to work in a wide variety of genres and styles and has built a vast resume of over 200 credits. He began his professional career helping to originate and develop the musical foundation for the voyeuristic world of reality TV, but years before the phenomena saturated the air waves. By stamping his musical presence on shows like Most Amazing Videos and World’s Wildest Police Videos, he began paving the way for other composers to follow suit.

In the new-age of reality, his music which is always created in SONAR (now SONAR X1) has been featured on American Idol and So You Think You Can Dance as well as other major television shows. One previous noteworthy score that will forever be engraved in television history was the highly-acclaimed cult series classic Buffy the Vampire Slayer, in which he also supplied original songs as well as the score.  His songs in that series were fan-favorites and helped expand the fan base for the show.  Other credits include Women, a series on Showtime, The Savage Dragon, an animated series for Universal, A Rock and a Hard Place (Showtime) and One Way Out (Arrow Entertainment.)

In addition to music for major television shows, Clement is always busy using SONAR to score music for Films as well; some including:

– We Married Margo:  (released by New Line  and winner of the Audience Favorite Award at the HBO/U.S. Comedy & Arts Festal.)  Cast included Kevin Bacon, Cindy Crawford an Tom Arnold,

– Last Chance:  (winner of Best Original Drama at World Fest.)

– Bad Girls from Valley High:  released by Universal (produced by Sid and Johnathan Sheinberg) with a cast that included Julie     Benz, Christopher Lloyd, Johnthan Brandis and Janet Leigh.

– Finale:  (released by Image)

– Virus X (released by Lions Gate)

– Play On (Sports Drama)

– Beyond the Mat (Sports Drama)


The polls are closed now, but we wish Shawn all the best at the event and hope that he brings home another award to add to his “ASCAP Most Performed Underscore Award” (alongside  the other prestigious awards he has collected along the route of his musical voyage.)

Currently, Clement is busy using SONAR X1 working on music for the RAY BRADBURY Documentary, Live Forever: A Ray Bradbury Odyssey.  For more information on Shawn Clement and to hear the music he creates in SONAR X1, visit www.clemistry.com.

Right now is the time to visit Cakewalk.com and participate in the “First Class Upgrade” program.  From June 1st to June 30th, when you buy or upgrade to SONAR X1 Producer, Cakewalk will automatically bump you up to the flagship version, SONAR X1 Production Suite.   In addition, Cakewalk is offering other great upgrades as well.

 

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Congrats to SONAR User Bobbi "Funkee Boy" Tammaro who Hit the Billboard Charts from his Home Studio

Congratulations to Bobbi Tammaro (aka “Funkee Boy”) who is seeing some great Billboard charting success with his new self-produced/mixed full-length album titled “Philosoulphy” which was created entirely in SONAR.  The album is also currently the #1 most selling Smooth Jazz CD in the world on CDBABY.COM.  Bobbi has an interesting SONAR story and is also a great example of the sign of the times in the modern day music industry.

For a long time, Bobbi was that guy behind the scenes; the guy that created, as well as put together great music for other major artists such as Tadros, Tenderoni and Leila.  Exclusively using SONAR, he also found his way to mainstream song-placement success on shows such as Continue reading “Congrats to SONAR User Bobbi "Funkee Boy" Tammaro who Hit the Billboard Charts from his Home Studio”

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How TC Spitfire used the ProChannel on the track “Surrender;” Currently #3 on Billboard Club Chart

Congratulations to Paul Oakenfold and TC Spitfire who found themselves at #3 on the Billboard Dance Club Songs this past week with the track Surrender.

The track was written by Paul, TC and J Hart who also sang the track.  TC Spitfire who is a passionate SONAR X1 Expanded user co-produced and mixed the track using a combination of all the ProChannel modules.  “This new era with the ProChannel and X1d [Expanded] is on a serious elevated level.  The combination of the modules has me staying more and more inside SONAR natively,” TC told us.

On a daily basis, TC is very busy individual.  Between writing new music, producing, mixing and remixing, he finds himself a bit overextended these days and “taking it and enjoying it while it’s there.”  Most recently, he has worked with artists such as Cher, Matt Goss, Matt Morris and Jean Baptist – and that is just in the recent past.  “On a daily basis I will jump from remixing a track for 4 hours, to writing in another studio for 4 hours, and then back to our lab for another however-long-it-takes-session – for the next barrage of musical craziness.”

For the track Surrender which is currently charting on the Billboard Dance Club Chart, TC collaborated with both Paul Oakenfold and J Hart on the writing side and then built and mixed the song completely in SONAR X1 Expanded. 

* * * * * * * * * *

CW AR: This vocal sound is huge in this track.  What was some of the processing involved?

TC: On the vocal track I used the new Hybrid mode in the ProChannels QuadCurve EQ.  I cut quite a bit of the low end off and had quite a bit of mids popping for this track around 1.8k.  I was able to surgically cut out some other frequencies in the mids to get the vocals away from other keyboard parts in that range.

On top of that, I used the PC4K channel compressor along with a slight touch of the Softube Saturation Knob with the switch on the “high” setting.  I also sent multiple lead vocal tracks out to a lead vocal bus which had the PCCL Limiter on it for a slight boost and some tightening.

CW AR: This track and all your tracks for that matter are really tight, what are the main factors for you in achieving this sound?

TC: It’s pretty simple, but it’s also pretty complicated.  It’s simple, because most of it has to do with compression, EQ and limiting, which are 75% from the ProChannel in my tracks.  It’s complicated because carving the frequencies, making the decisions on where to compress and how much, and what to use a limiter on – all factor in.  Sometimes, over compressing and using too many limiters will just make a song sound flat-lined and not breathing.   I think another factor is not using too many of the same compressors or EQ’s on every single track.  I really like mixing up my inserts.  On some tracks I will use the 76 and others I will use the Softube compressor.  I even use the PC4K bus compressor on tracks – call me crazy – haaa.   There are no rules in the digital world and use my ear and the tools SONAR X1 Expanded provides to get the sound to where I need it to be.

In the next year you will be hearing a lot more from Paul Oakenfold and TC as a new deal was just signed with Sony Records.  As soon as the details are released on that we will keep you posted.  Until then, you can check out SONAR X1 for free here.

SONAR X1 is the most intuitive D.A.W. on the market today.  It’s easy to get up and running, and it’s just as easy with practice and experience to become an advanced user.  If you are running windows, and you are a musician, now is a great time to pull the trigger with the SONAR X1 Advanced Workshop Giveaway Promotion.

“SURRENDER” [Completely recorded, mixed and mastered in SONAR X1 Expanded:]

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How Jon Lee Uses SONAR X1 Expanded to Create Music for Some of America's Favorite TV Shows

Some artists spend more time trying to catapult their image into the status spotlight than they do actually creating music.  Some artists lay low under the radar diligently doing their thing.  In this day and age, there really is no right or wrong way to be an artist in the music industry, you just have to do what you do best and run with it.  If the content is great, it will find its way.

A great artist example of this notion in my book is SONAR X1 Expanded user Jon Lee.  Working and residing in Santa Monica, Jon Lee lays low under the radar while creating music and sound-scapes for some of today’s most popular “verite” style TV reality shows.  If you have seen the show Cops, than you are probably familiar with one of the most prominent production companies in the biz, “Langley Productions.”

Continue reading “How Jon Lee Uses SONAR X1 Expanded to Create Music for Some of America's Favorite TV Shows”

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How Chris Standring Used SONAR X1 to Hit Two #1 Chart Positions

The success of SONAR X1 user Chris Standring’s groundbreaking 2010 CD Blue Bolero, which topped several year-end lists and produced a No. 1 single, made it tough for him to create a follow-up record; but all early indicators are showing that he managed quite nicely with the new Electric Wonderland recording which came out yesterday.

As of this morning, Chris woke up to find out that Electric Wonderland has hit #1 in its genre on the Amazon.com sales chart, as well as #1 on the BDS Radio Tracking Chart (Billboard) for the same genre.  I would say that’s a setup for a pretty great day, especially considering the “sales” climate of the music industry in general.  Electric Wonderland is a 10-song CD of original songs that fuses elements of the last record Blue Bolero’s orchestral touches with a deft jazz-pop touch that’s been a hallmark of Standring’s stellar career.

One of the changes Chris made on Electric Wonderland besides going from SONAR 8.5 to X1 was mixing the record on his own.  Continue reading “How Chris Standring Used SONAR X1 to Hit Two #1 Chart Positions”

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Remix K'Naan's New Single to Win $1000 and SONAR X1 Production Suite

Hopefully by now you have a version of the award winning SONAR X1 running on your machine, because A&M/Octone recording artist K’NAAN wants to hear from you; musically.  With this exclusive opportunity through Cakewalk, Roland, Indaba Music and A&M/Octone, you can sign up for this contest and download the actual stems to craft your own work of art.   If that work of art is chosen by K’Naan and his label, it will result in a nice chunk of cash or a Cakewalk/Roland gear package for you. Continue reading “Remix K'Naan's New Single to Win $1000 and SONAR X1 Production Suite”

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Cakewalk Artists on Both PC and Mac Are Off to an Enormous 2012

Cakewalk Artists on Both PC and Mac are off to an Enormous 2012

We are well on our way into 2012 and many artists relying on various Cakewalk products are off to an enormous year.  I’ve been fortunate enough to have spent some time with most of these artists recently, and even more fortunate to have worked with a few in some creative capacities using SONAR X1 in the recent past.  There are some common threads that these artists share, but I think the most important element is that they are all working ridiculously hard in their own circles.

Murray Daigle

[Toronto, ONT, Canada]  Murray Daigle is a very talented Canadian Producer/Mixer/Songwriter out of Toronto Canada.  He just relocated to a new space in Toronto and opened a new studio running SONAR X1 Expanded.  A big “congratulations” goes out to him on a “Certified Gold” record for Neverest’s track “About Us” along with a SOCAN #1 Award (co-written and mixed on Cakewalk Sonar X1.)  Murray also produced and co-wrote other tracks on the Neverest release which came out in January and is already working on material for another release later this year. Continue reading “Cakewalk Artists on Both PC and Mac Are Off to an Enormous 2012”

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Ron Cote and Pristine Productions Utilizing SONAR X1 with Chart-topping Rock Acts

When it comes to SONAR, many of us often just think of recording and creating music for one medium, but there are many people out there using it in other ways.  Pristine Productions is a company based out of Philadelphia that has been using SONAR for many years to record Major Label artists; only not in the traditional sense…

Week-in and week-out, Ron Cote and his crew are found working with some of the biggest names in the business such as Shinedown, Disturbed, Stone Sour, Staind, Avenged Sevenfold and most recently, the undeniable Adrenaline Mob who are currently making a huge mark in the rock world.  When I say “working with” I am talking about a platform beyond recorded music that extends into the depths of capturing the whole “concert experience” on video.  Ron is hired by Major Labels and directly by bands to go into the trenches and capture those moments that give us all goose-bumps; those moments where a guitar solo just sounds way better than it did on the studio version of the song; or those moments where the lead singer delivered an inspirational melody he/she should have put on the studio record. Continue reading “Ron Cote and Pristine Productions Utilizing SONAR X1 with Chart-topping Rock Acts”

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Shawn Clement: On A [Quantum] Quest with Intense Music

Award winning SONAR user – composer/producer Shawn Clement is at an exciting point in his “intense” career: 

  • His credentials and track record have allowed him to open an office/SONAR studio at the heart of Paramount Pictures.
  • He just had a major successful event at The Kennedy Center in DC where his music was premiered during “A Tribute to the Wounded Warriors.”
  • On July 29th he will be hosting a score party at Paramount Pictures for his original music in “Quantum Quest, A Cassini Space Odyssey 3D.”

Little did he know, when in 1996 Shawn Clement took on a “gig,” that he would be stapling a movement to the universe’s musical bulletin-board.  “Reality TV – what’s that? Who’s going to take interest in that?” These were some of the questions flying around the conference rooms of major television networks back then.  Well it just so happens that still to this day 95% of us get sucked into the inevitable antics of The World’s Wildest… The World’s Scariest…  The World’s Most… You know, those shows that catch your eye when you’re flicking through the channels and catch a quick glimpse of a Corvette being severed in half by a semi-truck; and there it is – wham – a half hour later and you have neither moved from that channel, nor your seat for that matter. Continue reading “Shawn Clement: On A [Quantum] Quest with Intense Music”