Every February, a group of folks who can be described as ambitious, crazy, or some combination of the two undertake a challenge that few of us have ever considered. The challenge itself, at least in description, is simple. In twenty-eight days, or twenty-nine in this case, an album must be written and recorded in its entirety. Pre-existing material is not considered eligible, nor are covers. Yet despite this seemingly insurmountable workload, this challenge grows in participation by the year.
The challenge in question is known as the RPM Challenge. Created by the New Hampshire alternative newspaper The Wire in 2006, the RPM Challenge has proven year after year to be an irresistible hurdle for an ever-growing number of songwriters. After giving them some time to rest, we spoke with some SONAR users who participated in the 2016 edition of the challenge to get their take on the experience.
Matt O’Grady participated with his project, The Wasted Miracles. Citing an immense amount of support from the RPM community via their forums and blogs, Matt has actually participated in multiple RPM Challenges. He finds the process to be exhausting (fair enough) but also incredibly rewarding. “Even the years in which I haven’t completed the challenge, I’ve walked away with one or two more songs than I normally would have,” he added.
Gary Fox also took part, and as someone who thrives under pressure he particularly enjoyed the tail end of the process. “I enjoy the marathon recording sessions of the very end. This tends be when the random moments of inspiration happen, where an idea for a part of song just kind of occurs that make the entire song,” he said, adding that after conferring with fellow RPM participants that this is a common experience. Continue reading “Completing the RPM Challenge with SONAR”
