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Why Cakewalk’s CA-2A Made a Big Impression at NAMM 2013

Every January, thousands of gear companies, PR professionals, artists, and gear-junkies converge in Anaheim, CA for what is known as one of the world’s biggest music festivals; The NAMM Show.  If you have never been, it’s a playground for the musician where one can find everything from the latest boutique guitar amp to the newest beta software development.

As a software company that participates at the NAMM show year after year, one pattern we have seen which holds true for all companies is that you just know when you have a great product on your hands.  This year was no exception when we unveiled the new CA-2A leveling amplifier to the press, artists and gear-heads; the feedback was beyond our expectations.

The CA-2A had 3 primary points of contact with the public at NAMM:

1. On the show-floor where SONAR X2a was being demonstrated on three machines.

2. The main-stage demonstration area where Cakewalk’s Seth Perlstein (along with other artists) showed off all the features of our software.

3. The Cakewalk V.I.P suite at the Hilton where we set up a studio atmosphere to show off our newest software combines with Roland’s integrated hardware.

While the show-floor and main-stage demo area served as a platform to show our customers and retail buyers our new products, the Hilton suite was where we were able to get the CA-2A in the hands of some well-known artists, along with seasoned experienced gear-savvy journalists.  The beauty of these meetings was that we were not looking for pats on the back or hot air; this was a chance for us to get straight feedback from professional users other than our beta developers for the first time.  After 4 days filled with over 50 meetings, here are a few quotes directly from the demonstrations:

TC Spitfire (producer/songwriter/engineer – Paul Oakenfold, Cher)

“With the style of music I produce on a daily basis, I’m excited to put the CA-2A to work next week.  I absolutely have to have side-chaining capabilities with dance music, so to have that feature in this type of leveling amplifier is huge for me.”

 

 

Tim Wynn (producer/composer/musician – co-owner of SonicFuel studios specializing in Film, Television and interactive media music)

“On any given week I could be writing and producing music for feature films, TV shows or mixing music for some of the biggest titles in video games.  I think the CA-2A is going to be a big part of my plugin arsenal.  From what I just heard in direct comparison to the other leveling amplifiers, I can’t see why anyone would not pick this up.  The fact that it’s lightweight on DSP and you don’t need an external card to run many                                              instances will be a big plus for me; for anyone for that matter.”

Shawn Clement (producer/composer/musician – Clemistry Music at Paramount Studios, Hollywood, CA)

“Anyone looking for a fat classic vintage compression sound will love this thing.  It’s great that you [Cakewalk] guys modeled the R37 screw as well which works miracles on vocals.” [The R37 screw helps control the high-frequency compression.]

 

These were just a few out of the many folks that stopped in to hear the CA-2A up against other leveling amplifiers.  In the next week I will be uploading another blog here exemplifying the sonic capabilities of the CA-2A as I put it to the grind here in my studio in NYC.

A quick look at the CA-2A Feature Highlights:

  • VST, Audio Units & ProChannel compatible (Mac/PC)
  • Meticulously modeled.
  • With only a few simple controls, it’s easy to use and provides instant gratification.
  • Warm, smooth and natural sounding compression characteristics.
  • Frequency-dependent gain reduction.
  • Compressor and Limiter modes.
  • Up to 40 dB of smooth gain reduction.
  • Sidechain input for ducking, de-essing and pumping.
  • Gain reduction CV output to modulate other effects.
  • Zero latency for real-time tracking and mixing.
  • Fully modeled “R37” HF Pre-emphasis control.

See all CA-2A T-Type Leveling Amplifier features

Availability and pricing:

The CA-2A T-Type Leveling Amplifier is now available for $99/£79/€99 and includes VST, AU, and ProChannel Module formats.  Customers who previously purchased the PC2A (ProChannel Module) format can upgrade for $19.99/£15.99/€19.99 on the Cakewalk Store.

Download the CA-2A T-Type Leveling Amplifier

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Craig Anderton shows you how to use the new Console Emulator in SONAR X2 Producer

Console Emulator

The ProChannel Console Emulator is one of the new features available exclusively in SONAR X2 Producer. Over the past year, the use of console emulation has become very popular with producers and engineers. A Console Emulator plug-in emulates some important analog console characteristics. While these effects are subtle, they’re noticeable; and now thanks to the Console Emulator, they’re controllable as well.

Industry expert Craig Anderton gives you an in-depth look at understanding and applying the Console Emulator into your mix. For even more tips from Craig Anderton, you can also check out his monthly SONAR X2 column in Sound on Sound magazine.

 

 
Try it out for yourself: The Console Emulator is available in the SONAR X2 Producer trial so once you watch the video, you can try out some of the techniques on your mixes.

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SONAR X2 Feature Peek: Why BREVERB SONAR Will Become Your New Go-to Reverb

I finally had the chance to record and mix a full production in SONAR X2 Producer last week and one of my favorite new features is BREVERB SONAR.  I knew it was going to be good, but I didn’t know HOW good.  I found that out immediately when I sent the lead vocal track though to a bus with BREVERB SONAR and it was instant gratification.

Check out this video to see BREVERB SONAR in action on a vocal track:

Continue reading “SONAR X2 Feature Peek: Why BREVERB SONAR Will Become Your New Go-to Reverb”

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SONAR X2 Feature Peek: ProChannel FX Chains

Like many of you, we’re all fired up about SONAR X2. And we’re pretty sure you’d like to know more about what makes it so delicious. So, take a closer look at the newly refined, ever smarter, SONAR X2.

What’s an FX Chain?

FX Chains are an answer to a long standing feature request; to have FX bin presets, or a way to recall an FX bin on an existing track in SONAR. In SONAR X1 Producer we introduced FX Chains, which are essentially an FX bin, or group of FX, saved as a preset.

In SONAR X1 Producer Expanded we upped the ante and upgraded the feature to version 2.0 which added assignable controls and a custom user interface to FX Chains. Later on in the free X1d update we added a Mod Matrix to FX Chains allowing up to four parameters to be mapped to a single control on an FX Chain, which I wrote about in an earlier blog post.

In X2 we’re including FX Chains in SONAR X2 Essential and Studio, as well as Producer. But In SONAR X2 Producer we’ve taken FX Chains one step further having added them to the Producer exclusive feature, the ProChannel.

Continue reading “SONAR X2 Feature Peek: ProChannel FX Chains”

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And the next Cakewalk promotion (as voted by users) is…

Cakewalk Promotion

Earlier this week, we asked users to help us pick the next Cakewalk promotion from a choice of three of the most popular ones of 2012. We got an overwhelming amount of response from the community and there was heavy interest in bringing back all three promotions. So we decided to go ahead and offer all three promotions for a limited-time.

Starting today through June 30th, you can save big when you take advantage of these three special offers:

We hope you enjoy these special promotions. Thanks again for your input!

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Parallel Compression in SONAR

A common question I get asked when doing J.A.M. Sessions, webinars, and other events, is how to setup parallel compression in SONAR. The next asked question is usually what parallel compression  is and why it should be used.

Parallel compression is a mixing technique most commonly used on drums where one signal is split into two allowing them to be processed separately, or in parallel, and mixed together.

Typically a drum bus will be split into two drum buses where one drum bus will be compressed heavily and the other drum bus will be compressed lightly, if at all.

The reason for doing this is that heavy compression on drums can sound good but can also cause a major loss of transients and attack. Blending heavily and lightly compressed drum buses yields the best of both worlds.

There are a few ways to set up parallel compression in SONAR X1 Producer Expanded so I will show you how I do it using quick grouping, effects sends, multiple busses, and the ProChannel’s PC4K S-Type Bus Compressor.

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What's in SONAR X1 Producer anyway?

What's in SONAR X1 Producer?

With the First-class Upgrade promotion happening in June, it’s a good time to review the amazing value you get with SONAR X1 Producer. Whether you are upgrading or looking for a new digital audio workstation (DAW), SONAR X1 Producer gives you hundreds of dollars in exclusive features, instruments, and effects that only Cakewalk can offer musicians, producers, and engineers.

Let’s start with a quick video which goes through all the SONAR X1 Producer exclusives:

Now let’s take a look at some of the exclusive features in-depth to see what makes SONAR X1 Producer so special. Continue reading “What's in SONAR X1 Producer anyway?”

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Create Unique Percussion Beats with the Beatscape Factory Content In SONAR X1: Part 2; ProChannel

In Part 1 of this blog series, I highlighted the basic information to get the Beatscape content going in SONAR X1 Producer  without using the Beatscape program.  If you read that post and starting working a bit with the Beatscape content you probably found out that there’s some really good samples in there from which to draw.  In this post, I will dive into a few tips and techniques and focus in on The ProChannel to show how fast and easy it is to create a more tailored sound with Beatscape content (and any other sample based content for that matter.)

For me and my style of music production, it’s all about layers and a multi-dimensional vibe.  I started out like a lot of folks, on 2” tape and followed a lot of rules, but in this new digital era I rely more on my ear than I do on following fundamentals.  Don’t get me wrong, I think it’s more important now than ever to understand the fundamental concepts of recording and producing music, but it’s also just as important to rely on what you are hearing in relation to what you are going for.  Sometimes I will start out with something that sounds quirky or not pleasing to the ear; a person in the room will look at me like I have two heads, and then within minutes they don’t even recognize what I started with.

I like to blend multiple elements together to create a “part.”  In this video example by simply using the Beatscape content and The ProChannel, I will take 8 samples that sound cluttered together, and then shape them into one interesting loop that will sound more professional than where it began.

1.)    I started with the basics by finding 3 kicks I liked, and 3 snares [snare and claps] I liked and shaped both using the ProChannel so that they worked well together as a groove.  As you will notice, working with the ProChannel is lightning fast in terms of a workflow; everything is right there so there’s no inserting plugins or switching back and forth between screens and menus.

2.)    I then arranged the snares and claps using the Smart Tool so that they created a unified part.

3.)    Next, I added top loops to add depth and dimension to the groove.  As you will hear, when these loops are first pulled into the mix they are very prominent and overbearing.  Again using the ProChannel I was able to quickly sculpt these top loops to add character to the groove as a whole.  Using the Smart Tool once again, I copied over one of the loops and reversed it to set up a dramatic effect.

4.)    Finally, using the ProChannel I called up a mastering Preset which instantly added thickness, volume and control over the whole new loop.

In this video you will see and hear not only how great the Beatscape content is, but also how powerful the ProChannel is in terms of sound, workflow, speed and ease of use.  There’s a solid reason behind the fact that SONAR X1 is buzzing in the music industry.  There’s no other DAW on the market that covers the territory of SONAR X1 Producer.  If you are serious about music creation and production, go to our Dealer Finder here and pick up an investment in yourself and your future; The SONAR X1 Production Suite.

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Why you should use "Scan VST Plug-ins On Startup" in SONAR X1. Really.

You’ve seen it before. That painful scanning procedure on startup that makes many DAWs seemingly take forever to let you start actually making music with them. Is it a necessary evil? I mean without it you wouldn’t have all your plugins available to you.

Or would you?

SONAR X1 has a very sophisticated and clever mechanism that only scans your plugin folders for changes – and it does this with incredible speed. In fact, it’s almost imperceptible. With “Scan VST Plug-ins On Startup” checked in SONAR’s preferences you get the best of both worlds; newly installed plugins ready and available and yet a blazingly fast startup time without the painful wait of other DAWs. Who wants to wait for an excruciating VST plugin scan when all you want to do is rock? Continue reading “Why you should use "Scan VST Plug-ins On Startup" in SONAR X1. Really.”

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Introductory offer on the PC2A T-Type Leveling Amplifier for ProChannel [EXTENDED]

PC2A-T-Type-Leveling-Amplifier

Faithfully modeled after one of the most sought after studio compressors in history, the PC2A T-Type Leveling Amplifier puts the silky, smooth sound of this highly desirable unit right into SONAR’s ProChannel.

Special offer [UPDATE]: Due to overwhelming demand, the intro price for this brand new module has been extended.  Customers can now save 50% off the regular price of the PC2A T-Type Leveling Amplifier through March 31st. Regularly $79, we are offering early adopters the opportunity to download it today for only $39.50!  Act fast to ensure you get it at this amazing price. Continue reading “Introductory offer on the PC2A T-Type Leveling Amplifier for ProChannel [EXTENDED]”