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How A Small Studio in Wales is Making Big Waves Internationally Using the ProChannel and Console Emulation

Since the release of SONAR X3, there have been more and more commercially viable SONAR studios popping up around the world.  One of the more interesting ones that we have found recently is nestled in a land known more for its castles and Celtic folklore rather than commercial music.  But nevertheless, there’s a little-engine-who-could called Shabbey Road Studios who are finding great success from London to New York City through their network of talented clients and talented staff.  Operated by producers-mixers-musicians-songwriters Al Steele, and Nigel Hart, Shabbey Road Studios is a full service studio just outside of Cardiff Wales.  Al, a native Australian, has been a multi-instrumentalist since the age of 8.  A natural career progression in the music industry brought him around the world at a young age with some very significant names such as the Billboard chart-ers Johnny and the Hurricanes, and Del Shannon who had the #1 Billboard hit song “Runaway” in 1961.  He has also appeared as a featured guitarist on many music placements in the Film and TV world which has added much credibility to his current role at Shabbey Road.  Al’s studio partner Nigel Hart is a Musical Director, Film and TV Composer, Songwriter and Arranger. He plays keyboards and sings, but also has a large back catalogue of instrumental compositions and songs.  Recently, Al and Shabbey Road Studio’ staff have been recording Dan and Laura Curtis who are best known for their album “Love on 42nd Street,” which was released in aid of the BBC Children in Need appeal.   Al was assisted throughout this project by Rob Sherwood, another multi-instrumentalist/engineer and X3 enthusiast.  Daniel and Laura Curtis are considered as one of the foremost ambassadors for the preservation of the music of the Great American Songbook in the United Kingdom.  The Great American Songbook offers a dazzling parade of American popular songs as seen and heard in some of the most beloved films and musicals ever made.

“Whether a project is large or small, our emphasis is always on melody and the big arrangements and massive mixes which are all there to support the song and vocalist.  Because of this we spend a long time on recording and then editing the ‘perfect’ vocal take.

The new Comping feature in Sonar X3 is simply amazing.  The ability to quickly audition and select your preferred take without having to painstakingly move to a master track is a massive time saver.  To just be able to slip the edit point back and forth cuts our editing time by about half! Continue reading “How A Small Studio in Wales is Making Big Waves Internationally Using the ProChannel and Console Emulation”

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SONAR Production Tips – Building A ProChannel De-esser

Introduction

SONAR X3’s modular ProChannel allows users to take advantage of all the different aspects of a real mixing console. One great way of improving your vocal production is by using De-Essers to reduce the sibilant frequencies between 5-7kHz. The human mouth acts like a filter for words and sometimes certain words for certain singers can produce unwanted hissing sounds that get in the way of mixing. You can build your own De-Esser within the ProChannel by using the following steps.

 

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When To Break The "Rules" Of Digital Mixing

Recently I was asked to create a song for a new short film that will be making the rounds on this year’s film festival circuit.  I got the creative brief [I had to write for a specific subject in the film] and got to work writing and recording everything myself in SONAR X3. Thankfully, SONAR X3 has pretty much everything you need to make a radio-ready track in the box; even if you are a #hack-of-all-trades like me. 😉  It was requested that this song have some grit to it, as well as some acoustic-oriented authenticity, so I grabbed my 5-Year Old’s harp out of his toy chest, my acoustic guitar, and got to work.  The only outboard gear used on this track were a Tascam UH-7000, an AT4033a mic, my Les Paul DC and Carlos Robelli bass.  I also played Dimension Pro organ through a controller.

THERE ARE NO MIXING RULES (KIND OF)

After writing the song on an acoustic and then tracking everything, it was time to mix.  I love mixing in the digital world because there really are no rules in terms of creativity.  Once you understand the basics of frequencies and how to put tracks together properly, you can really get creative with the Continue reading “When To Break The "Rules" Of Digital Mixing”

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Mixing Tips: Know Your Signal Flow in SONAR

Signal Flow is an important concept to understand, and it may be easier to think about when presented with a diagram of how audio is passes through SONAR.

Inputs and Outputs – Easier than you think!

The first concept to understand is the relationship between Inputs and Outputs. There isn’t anything complex about the subject unless you over-think it.  It is the underlying theme to just about anything within your Digital Audio Workstation. Always remember the following:

  • Outputs: Always feed Inputs
  • Inputs: Always fed by Outputs

Sometimes Outputs can be named “Outs or Sends” and sometimes Inputs are labelled “Ins or Returns.” If you’re a guitar player then you can associate this concept with the FX Loop that exists on the back of your amp. You use this to Send audio to your effects pedals and then back to your Amp’s Return.

First, let’s start where audio starts. Typically it begins with an instrument or audio file:

Upon opening SONAR many users will head straight to their Media Browser and Continue reading “Mixing Tips: Know Your Signal Flow in SONAR”

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Joerg Kohring: Former Guitarist of Lifehouse Finding Success with SONAR and a Solo Music Career

We recently got a chance to sit down with Joerg Kohring who is an LA-based singer/songwriter/producer working out of Los Angeles.  Originally from Germany, Joerg found his current musical path originally playing guitar in the award winning band Lifehouse.  Since then, he has found success with his own LA-based band Orbit Monkey as well as his production work with other artists.  Orbit Monkey’s debut record “Are We Alive” came out in 2011 and the band gained many fans from the recordings.  Since then, the band recently released a follow-up EP titled “Born to be Kings” and has released another single/video titled “On Fire” which was recorded and produced completely in SONAR X3.

Continue reading “Joerg Kohring: Former Guitarist of Lifehouse Finding Success with SONAR and a Solo Music Career”

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10 Reasons You Will Love The SONAR X Series

The SONAR X series was introduced to the world back in 2010. Since that time, we’ve continued to refine and improve SONAR. Customers upgrading from SONAR 8.5 and earlier are in for an amazing experience. Below we’ve put together the top ten reasons you will love the SONAR X series.

1. ProChannel

The ProChannel redefines the way you work with the Console View. Each audio track, instrument track, and bus comes with a complete modular strip of analog effects. Even the inspector allows the users to preview a selected track’s ProChannel strip right from the Track View. With the click of a button users can expand this analog mixing console and fully customize it by dragging around the modules, or loading up a ProChannel presets. Load up the Compressors, Tube Saturation, Reverb, Console Emulators, Tap Emulators, and the new QuadCurve EQ Zoom with Analyzer by simply right-clicking.

SONAR’s ProChannel lends itself to an immensely visual experience Continue reading “10 Reasons You Will Love The SONAR X Series”

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6 Creative Ways to Use The VKFX Delay – Free with SONAR X3 Studio or Producer

SONAR X3 Producer’s ProChannel comes loaded with great effects for every channel like Compression, EQ, Saturation, and Reverb. Now, for a limited time, if you purchase SONAR X3 Studio or Producer before November 30th, 2013 you will also get Overloud’s incredible VKFX Delay ProChannel Module for free. Here is a description and some creative ways to utilize this wonderful new tool.

Overloud’s VKFX Delay Module is a rendition of a classic tape delay with an incredible set of parameters that virtually allows you to get just about any sound you please.

The Parameters

Feedback adjusts the amount of repetitions of the delayed signal. This has varying tonality as you increase or decrease it.

Tone adjusts the brightness of the delayed signal. Sometimes it’s important to taper off the high end of a signal so that it does not get in the way of itself. Bright acoustic strumming or picking could become engulfed by a series of shearing delays if your tone is not adjusted correctly.

Time is a crucial parameter on any delay unit. This determines the intervals of time between each delay repetition. When the time parameter is not synced to SONAR, the intervals of time range between 0.0 – 2.7 seconds.

When the sync button is enabled the VKFX Delay syncs to musical denominations ranging from 1/32t to 4 based around the tempo set within SONAR.

Mix controls how much of the delay effect makes it into the actual passing signal. Increasing this to 100% would produce the delayed effect only.

Lastly, the 8 different Modes within the VKFX Delay module control two sets of settings.

  • The panning scheme for each repetition
  • On what beat each repetition falls on

As seen in the figure, the first five different modes repeat within the mono spectrum and vary with each beat they fall on. Settings 6, 7, and 8 spread the repetitions from Left, Center, and Right making for an intense panning/delayed effect.

1. Chorus Effect Continue reading “6 Creative Ways to Use The VKFX Delay – Free with SONAR X3 Studio or Producer”

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Javier Colon, Winner of NBC The Voice Using SONAR X2 for New Record

It’s been quite a ride in the last 2 years for Javier Colon after being crowned the winner of NBC’s hit TV show The Voice.  Some highlights include releasing the record “Come Through for You” on the Universal/Republic label, gaining millions of new fans, and touring around the world sharing the stage with artists including Maroon 5, Colbie Caillat and Gavin DeGraw to name a few.  It’s rare for an artist like Javier to experience so many facets of the music industry.  He is been signed to two major labels, put out his own successful independent music, and claimed the top spot on one of the biggest television shows of our time.  But what sets him apart from other artists (besides the obvious) in today’s never ending plethora of supposable talent?  I recently got a chance to catch up with Javier in his new SONAR X2 home studio in Connecticut and find out what he’s been up to, and where he’s going. Continue reading “Javier Colon, Winner of NBC The Voice Using SONAR X2 for New Record”

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Updated ProChannel Pack: Now Includes 4 ProChannel Modules & CA-2A T-Type Leveling Amplifier

ProChannel Pack

We are pleased to announce that we have updated the ProChannel Pack to include the new CA-2A T-Type Leveling Amplifer.

Through May 23rd, you can download the new ProChannel Pack for only $149/£119/€149 (regular price if purchased separately is $276). Here’s everything you get with the ProChannel Pack:

  • CA-2A T-Type Leveling Amplifier: Faithfully modeled after one of the most sought after studio compressors in history, the CA-2A T-Type Leveling Amplifier puts the silky, smooth sound of this highly desirable unit right into SONAR X1 Producer Expanded or SONAR X2 Producer. It includes a VST and ProChannel version.
  • ProChannel Concrete Limiter: Tame rogue peaks and get punchier, in your face, mixes with the ProChannel Concrete Limiter. Advanced DSP combines highly transparent, look-ahead, limiting with low-latency performance and is suitable for peak limiting of individual tracks and level maximization of mix buses.
  • PC4K S-Type Expander/Gate: Expertly crafted by the Cakewalk DSP team, this ProChannel module rounds out our legendary, vintage-style, ProChannel modeling. The PC4K S-Type Expander / Gate Module features a classic design providing gate function to remove unwanted sound from a signal and upward expansion, employed by countless engineers to expand the dynamics of vocals and instruments.
  • PC4K S-Type Channel Compressor: A must-have addition to your effects arsenal, the new PC4K S-Type Channel Compressor adds vintage-era, console-style, channel compression to every ProChannel strip in SONAR X1 Producer Expanded and SONAR X2 Producer.

Download the ProChannel Pack

 

Get a tour of the new modular ProChannel – exclusive to SONAR X2 Producer.

Upgrade to SONAR X2 Producer to start using the expandable ProChannel and new modules.

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Murder FM Finds Their Way to Revolver Magazine with SONAR X2; New Single “We the Evil” Finding International Success

The interesting and never-boring Texas-native front man of MURDER FM, Norman Matthew, will be guest appearing on the Cakewalk blog every other Monday (NorMondays) delivering music production tips, tricks and conditional evilness.  As a seasoned producer/songwriter/instrumentalist, he will be delving into his bag of production wickedness to shed some interesting light on how he approached sounds, songs and life in general;)

MURDER FM’s dark, edgy, and sleek style has been creating a buzz in the music industry domestically, and is quickly becoming a huge hit internationally.  Norman Matthew and the band have established a cult-like following, propelling two of the bands’ videos “As Beautiful as You Are” and “Machine Gun Kisses “to the Top-Ten list on Continue reading “Murder FM Finds Their Way to Revolver Magazine with SONAR X2; New Single “We the Evil” Finding International Success”