Artist Impression: RADIx's Quite Nyce on V-Studio 100

Quite Nyce is one half of the emerging Hip Hop duo RADIx.  They’ve recently been featured on MTV2 and in URB magazine. And have toured with Das EFX, Onyx, the Beatnuts and many others.

Their debut album MONSTAPLEx is set to be released this April and features Afrobatik on a guest track. Quite Nyce also has a side project called Champs vs. the League, which just toured the UK and Germany with Akil from Jurassic 5.

Quite Nyce is a man who needs a complete solution that he can take on the road, so when he got a sneak peak of SONAR V-studio 100 last month he described his reaction as “speechless.”  Contrary to that comment, he ended up having alot to say about the V-Studio 100. Watch the video to get his impressions.

Artist Impression: Producer & DJ Sharkey on V-Studio 100

Sharkey has performed and produced with such heavyweights as Eminem, Everlast, Mickey Petralia, Mario Caldato Jr., Jedi Mind Tricks, The Black Eyed Peas, and Wyclef Jean. His first solo album “Sharkey’s Machine” featured guest appearances by Cannibal Ox, The Pharcyde, Grand Puba of Brand Nubian and Cherrywine from Digable Planets.

2008’s Monster Maker with C-Rayz waltz was a critically acclaimed foray into the world of alternative hip hop.  In 2009 he’s set to release Dastardly with 2009 Grammy-nominated artist Kokayi.

Based in Maryland, but doing regular sessions in NYC, Nashville, and LA, not to mention DJ sets, we thought Sharkey might appreciate a sneak peek of the V-Studio 100…but we didn’t expect him to try to walk away with it.  Watch the video to hear his impressions and more.

Artist Impression: DJ Johnny Juice on V-Studio 100

Producer, DJ, multi-instrumentalist, and long time SONAR expert, Johnny Juice was an original member of the Bomb Squad at the age of 15, and has been doing productions for Public Enemy, Reverend Run, and countless others ever since.

The man is always working; his credo is “sleep is for the dead,” so he’s always looking for tools that speed up his workflow, travel with him,  and sound great…and if they can combine more than one function in one device, even better.

Because of his long history with SONAR and relentless schedule, we asked Juice to put the V-Studio 100 through its paces. Watch the video to find out if it passed his test.

“This unit is ridiculous.   I can bounce with it on the road and use it for backing tracks AND recording, and then import my work when I get back to my studio right from the SD card.”

Producer Wyshmaster Finds Niche in Hip-Hop and R&B

After 7 years of dedication and focus, Wyshmaster is finally cutting himself a new niche in the hip-hop and R&B worlds for his ferociously unique beats; and Cakewalk is at the forefront of his game. Most recently, Wysh has been busy creating music for The Lonely Island -“I’m on a Boat” feat. T-Pain (as heard on Saturday Night Live), Jeremy Greene – “Rain” feat. Bossman, and Nelly – “U Ain’t Him” feat. Rick Ross on the Brass Knuckles album.

“I primarily use Cakewalk synths because they give me the power to create unique sounds. With so many people in the game now, you have to choose your tools wisely so you don’t sound like every other cat. That’s what Cakewalk and SONAR do for me, they allow me to create and sound how I want to sound.” – Wyshmaster

Surefire Music Group: Producing Left Eye's 'Legacy'

Surefire Music Group of Boston, MA (U.S.) had the honor of producing th late Lisa ‘Left Eye’ Lopes’ posthumous album, Eye Legacy. Formerly of TLC, Lopes began working on her solo debut album, originally titled SuperNova, in 2001. In 2008, Koch Entertainment, the Lopes family and Mass Appeal Entertainment collectively decided to finish the project and named it ‘Eye Legacy’. Surefire Music Group composed nine songs on the project, which featured TLC’s T-Boz and Chile, Missy Elliot, Bobby Valentino, Chamillionaire, Lil Mama, Bone Crusher, Ryan Toby, and more. The album was released on January 27, 2009 and is now available on Itunes and at select music stores across the country. Read more about the project at http://www.lefteyelegacy.com/.

Artist Spotlight: Malik Williams

Wearing the Many Hats of a Busy Synthesist

Songwriter, engineer, actor, and film & t.v. music producer Malik Williams

By Randy Alberts

If some commercial jingle writers’ first gigs were in garage bands, fewer still of those went on to also write and produce music for film, reality t.v., the Web and hip-hop, pop, dance, rap, R&B and rock artists. It takes a lot of control room savvy and musical chops to wear that many hats. But from this even smaller group of first-call music and audio professionals, there may be just one—Malik Williams—who can say they’ve written a song for a movie in which they’ve also starred.

“Yeah, I’m a real Hollywood kind of guy,” jokes the 41-year-old Williams, a Bostonian since birth who values his role as father and family man over his Sunset Boulevard connections. “What I mean is that I feel real comfortable in front of the camera doing these bit parts. It’s not really something that I’m pursuing as a career. I’ve just stumbled upon this acting thing, but so far it’s been a positive stumble.”

Malik Williams plays a convincing cop with Donnie Brasco star Robert Miano on the set of Boston Girls

Malik’s song contribution and bit part as a cop in Boston Girls, a “dark horror comedy” film released this year, are two recent entries to an impressive credits list. His unique balance of old and new school music writing and production skills have been tapped for a host of song and album (Charlotte Church, Bobby Brown, Elton John, Mya, Britney Spears, Danity Kane, Tyrese, Earth Wind & Fire), feature film (Sony Pictures, Miramax, Disney, Lionsgate, Stage 6 Films) and television (CBS, ABC, MTV, VH1, TruTV, Showtime, HBO, E!, Bravo) productions. If you’ve seen Keeping Up With The Kardashians, Tila Tequila’s A Shot At Love, Pimp My Ride, Cribs and Celebrity Rehab with Dr. Drew or happened upon some of his various ad spots running on numerous channels, chances are you’ve heard some of Malik’s music, too.

“When you think of all the types of projects I work on—film, t.v. shows, ad jingles and hip-hop, pop and rap albums,” says Williams, “you’ll see my music and audio production tastes are all over the place.”

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