Listen to some of these incredibly recorded ADPacks that are now available on the Cakewalk Store.
Vintage Dry
1. Late 70’s
2. Clean Shave
Session Percussion
3. Gentle Crush Continue reading “21 Reasons to Check Out Addictive Drums ADPaks”
Elliott & The Untouchables Serve Up Southern 'Stew'
This South Carolina blues band, Elliot and The Untouchables, spice up their vintage blues sound with the release of their latest album, Voodoo Stew (BluePoint Records).
Elliott New (vocals, guitar), Mike ‘Naz’ Nazarenko (harmonica), J.T. Anderson (bass), Sonny “D” Dickey (saxophone) and Jim Heidenreich (drums) showcase their blues fusion sound around the world, performing at various music festivals and opening for music legends such as Van Morrison at the Rhythm & Blues Festival in Ireland.
Their latest album features 12 original songs, recorded and produced in SONAR, and covers a variety of blues styles from jumpin’ swing to the gritty ‘Mississippi swamp’ blues. To incorporate the traditional bluesy sound with the new, Elliot started experimenting and building his own diddley bow, cigar-box guitars which the band uses in 4 tracks on the new CD.
Listed among the Top 5 Best Self-Produced CDs by the International Blues Challenge and Top 100 U.S. Blues Releases by Real Blues Magazine, ‘Voodoo Stew’ is the band’s 5th top-selling release under the BluePoint label. Suggested tracks include: Voodoo Stew (title track), Blues Came Callin’, A Girl Like You, and Toss n’ Turn.
To hear clips from the new album visit Elliot & The Untouchables official website
Artist Spotlight: Danny Byrd
Producer Danny Byrd swears by the sound of Cakewalk:
“Their Instruments have as much unique character as the best vintage synths!”
By Buzz Owen
Danny Byrd has been stamping his mark on the Drum & Bass scene for over a decade now. Regarded as a pioneer of Soulful and Vocal Liquid Funk, Danny’s blending of upfront and retro-inspired sounds has led him to try many of the hundreds of soft synths out there in his search for sounds that can cut through in his busy productions – a search that stopped with the discovery of Cakewalk’s sonic armory…
“I used both Rapture and Dimension Pro a hell of a lot when recording my new album [Supersized]. In fact, the Cakewalk instruments were essential to the writing of my album. These days a lot of digital music sounds the same, so it’s important to add a different sound. And this is what Cakewalk instruments do for me – they add another dimension.”
“Rapture is just amazing for evolving textures and pads, especially all the tempo-locked patches. Just one example would be how I’d often find myself playing a high, sustained note on Rapture, and using this sound to fill up the breakdowns. Rapture has such an amazingly rich and warm sound. Another great touch is the limiter they’ve put on the output for when you’re really twisting up some nasty bass lines.”
“And the effects that you get in Rapture really add to its quality, as do the step-programmable LFOs. For me, this is the key to its constant use in all my productions. Another great feature is the stock presets that come with it – they are so useable right out of the box, so you can just get playing immediately if you don’t want to delve in deep right away.”