Computers In the Studio (Part 2 – Going Online)

Computers in the Studio

Going Online

It has long been held that connecting your DAW to a network, or worse, to the internet is something you should never, ever do. But is it really all that dangerous to your security or detrimental to performance? What kinds of precautions should be taken? Let’s find out.

First of all, why would anyone want to connect their DAW to the internet?

The Advantages:

1) Maintain system updates with less hassle

2) Maintain driver updates with less hassle

3) Perform software authorization with less hassle

4) Transfer samples, mixes, projects, etc via FTP and file sharing sites for collaboration or delivery

5) Search the internet for music theory questions like how to play a diminished chord or engineering questions like how to use a multiband compressor

In other words, it’s much easier to keep your system updated , authorize software and to search and share when your your DAW has internet access. The need to download everything on another machine and then manully transfer it to your DAW goes away.

But if it’s so convenient, why do people so often recommend against it? These are the most common reasons I hear:

The Concerns:

1) You might get a virus

2) You have to run software that will bog down your system

3) Your system might become unstable

4) You might get hacked

5) Wireless drivers can have a negative effect on DPC Latency negatively (see Computers In The Studio – Part 1)

The good news is that with the proper precautions you can connect a DAW to the internet with a relatively high degree of safety while maintaining performance and reliability.

Now you’re probably wondering what these “proper precautions” are. Let’s go through them one by one.

Continue reading “Computers In the Studio (Part 2 – Going Online)”

Computers in the Studio (Part 1)

Musician or IT professional?

It seems today’s musicians must be part artist and part IT professional. It’s a difficult dance that requires knowledge, time, and patience in order to achieve a level of success. The intention of this series of blog posts is to help with the IT part or the equation. My goal is to help with questions related to system optimization, maintenance, organization, networking, and other IT-related concerns important to musicians in the 21st century.

In this first post I’d like to talk about basic practices for achieving a smooth running PC-based DAW. I’ll also offer my thoughts and suggestions on OS “tweaking” or “tuning”. In subsequent posts we’ll get deeper into specific areas and talk about other aspects like organization and networking. Most of these tips will assume you’re running a PC with Windows 7 installed. Continue reading “Computers in the Studio (Part 1)”

Become a master of guitar recording in SONAR X1

Guitarists Guide to SONARCraig Anderton is one of the most widely respected pro audio writers today. He has authored more than 20 books and is currently editor-in-chief of Harmony Central and executive editor of EQ magazine.  He’s even worked closely with Cakewalk to create two critically-acclaimed SONAR X1 Advanced Workshop videos. So if you are looking for tutorials to help you master the art of recording guitar in SONAR X1, Craig Anderton has got you covered.

THE GUITARIST’S GUIDE TO SONAR was designed for guitarists of varying levels of experience with music software and guitar amp simulation.  This 250 page book covers some of the situations unique to recording guitar with any computer-based system.  It then progresses into guitar-specific techniques for SONAR suited for more advanced users.

Continue reading “Become a master of guitar recording in SONAR X1”