{"id":20273,"date":"2015-01-14T15:58:20","date_gmt":"2015-01-14T19:58:20","guid":{"rendered":"https:\/\/noelborthwick.com\/cakewalk\/?p=20273"},"modified":"2015-01-14T15:58:20","modified_gmt":"2015-01-14T19:58:20","slug":"perfect-bus-processing-mix-recall","status":"publish","type":"post","link":"https:\/\/noelborthwick.com\/cakewalk\/2015\/01\/14\/perfect-bus-processing-mix-recall\/","title":{"rendered":"SONAR: Perfect Your Bus Processing with Mix Recall"},"content":{"rendered":"

by Dan Gonzalez<\/em><\/p>\n

Large projects yield large mixes. As a mix engineer myself I tend to stack up on mix buses to make it easier to control multi-mic’d instruments or groups of tracks.<\/p>\n

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As of SONAR X3, experimenting with different types of bus processing is somewhat cumbersome due to a lack of useful A\/B switching mechanisms. Mix Recall changes that in the newest version.\u00a0Elevating your workflow is what SONAR is here for, and SONAR Artist<\/a>, Professional<\/a>, and Platinum<\/a> now offer a goldmine of mixing workflows.<\/span><\/p>\n

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When you first open up Mix Recall make sure to save your project – or else all of the buttons will be inactive.<\/strong><\/p>\n

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Grab the mix you’re working on and go the Master Bus and select it. Here’s a mix that I’ve been working on for a bit. This song has all different kinds of drums, synths, and other instruments. This first example has no bus compression on it.<\/p>\n